His name means “creator, giver of life”. French makers of fine harps since 1972, Camac is renowned for an expert combination of traditional skills, and innovative concepts. Presented in Jerusalem at the 1985 World Harp Congress, the prototype, its budget run into millions of francs, was a sensation. Moreover, the use of carbon fibre for the column improved structural strength and stability. Jude Harpstar performing live at Nelson Mandela Square Sunday Market. The amplification could not technically be confined to the harp, and the other instruments around were forcibly also captured. At the Vienna World Harp Congress, Camac were very proud to exhibit the first pedal harps made in France since the time of Sébastien Érard. Camac’s first “Celtic” harp appeared in 1976. After becoming General Director of Camac, he succeeded Joël Garnier as the overall President of the company, after Joël died on September 11, 2000. After some years, and despite certain advances in electroacoustic harps, feedback and external noises still occurred too often, according to the placing of pick-ups in the harp, or the configuration of speakers on the stage. Camac California is North America’s newest harp dealership, specializing in Camac Harps which are manufactured in France. Camac teamed up with electric harp virtuoso Deborah Henson-Conant to design the finest electric lever harp and create the ultimate crossover instrument. Spotting a promising market, Joël Garnier first responded to demand by offering for sale American harps from Chicago, as well as the Russian harps made in St Petersburg. But after all is said and done, it proved commercially unworkable. He has played a large part in the development of Camac. Their success surpassed all expectations. This type of pickup is very different from a magnetic microphone, and Camac uses it to this day because of its pure, natural and round sound. Camac would certainly never have become what it is today had he not discovered his alter-ego in Jakez François. Very quickly, he powered through the levels, for one of Joël Garnier’s great character traits was always to make technical innovations – drastically, at times – in the construction of his instruments. It has deep bass and twinkling highs, but … Camac received more and more requests from harpists for pedal harps. One can easily imagine the implications of this for a harpist in concert, as well as for the teaching of the instrument. Alan Stivell plays it on “Harpes du Nouvel Age”, and around the same time it was adopted with well-known success by the well-known Scottish harpists Patsy Seddon and Mary MacMaster. The technology on board also made the base of the instrument considerably heavier, harder to transport, and to use. At what point did I begin to interest myself seriously in the harp and its parameters? Camac’s name comes from “Pachacamac”, an important Quechua god. Camac have therefore donated this instrument to the Musée de la Musique in Paris, where it can be found in the “Instruments of the Twentieth Century” section. Within a few years, Camac had come to occupy more than 95% of the Breton Celtic harp market. Part of the Celtic/folk revival was a craze for South American music., and Gérard Garnier decided to begin making American Indian flutes. The Ulysse uses the same gauge as the Aziliz, Isolde, Hermine, and also an electric harp, our DHC 32.As for the Excalibur: we designed this harp together with François Pernel, and he wanted a particularly strong and powerful sound for the instrument. Photo : Jean-Marc Volta. The idea hence followed of putting a microphone directly in the sound box, which gave a more precise result. I made it my business to meet with as many harpists as possible. True electric harps have a solid body versus a hollow body electro-acoustic harp, which can be played either acoustically or electronically. Camac’s first double-action harp range featured just one innovation: a metal core to the column. But when connected to an amplification system, the palette of musical possibilities extends into infinity, from a discreet bolstering of the sound to the wildest sonic experiences. We not only sell but service these harps. Joël Garnier and Kristen Noguès presented the “ElectroHarp” at the Edinburgh International Harp Festival, and then the World Harp Congress in Jerusalem. But without doubt Joël Garnier, who still did not really know the harp world, wanted to go too far, too fast. At the same time, Eric Piron joined Camac Harps as Commercial Director. 92, rue Petit – 75019 Jakez also collaborated with Joël Garnier in developing Camac’s new harps, like the Blue Harp in 1990, and the famous “New Generation” concert harps between 1991 and 1995. $4800. Please contact [email protected] for details. Electric (solid-body) lever harps had existed since the early 1980s, but Deborah – hip harp legend that she is – wanted an ultralight electric instrument that she could wear, and move about with onstage. Purchased new 2016. Electro-Acouustic Option (for amplification) - Additional $495.00 Joël Garnier concentrated on technical innovation; Jakez François, trained musician, was chiefly interested in sound. The Camac technicians duly installed the Electroharp’s pick-up system on a concert harp soundboard. Jakez François joined Camac as a technician, regulating the classical harps before they left the Camac workshops. Be they musicians, painters, sculptors or dancers, the better an artist’s classical technique, the more fully they can express themselves. 99 $89.99 $89.99 We now offer harp viewings by high-quality video conference! In 1981, observing that “the manufacture of the concert harp is rather archaic and could certainly be evolved”, he hit upon the idea of a truly revolutionary instrument: a “memory harp” controlled by computer, with a hydraulic mechanism. Simple and modern, with a straight or extended soundboard, the Égérie is also the expansion of the tremendous success of our Concert Grand range. The electroacoustic pedal harp was launched at the World Harp Congress in Paris in 1990. It was a perfect partnership. Camac’s first “Celtic” harp appeared in 1976. Clearly, the Memory Harp was not destined to replace traditional pedal harps. See our store for Camac harps in stock We decided to become a Dealer for Camac Harps as we believe that Camac Harps are more technically advanced than others available. The project was destined for a short life: what Jakez François has described as the “Concorde of the harp” was a Concorde that was never to take flight. Moreover, even at quite a low volume level, feedback hugely complicated the task of sound engineers. After the Morgane, Camac soon added the first Mélusine models to the lever harp range, plus a now-discontinued model called the Brocéliande. Electroacoustic The Big Blue 47 The Blue 47 Little Big Blue 44 Mini Blue 44 DHC 36 DHC 32 South American EC Llanera 35 Electro Llanera 37 Electro Paraguayan Harp … Camac Harps | Pedal Harps, Lever Harps, Electric Harps Fifty years of passion à la Française French makers of fine harps since 1972, Camac is renowned for an expert combination of traditional skills, and innovative concepts. Harps will be demonstrated by a professional harpist. Camac began to expand its production to appeal more widely to the folk music movement. The use of external microphones rapidly proved to be doomed to failure. Alan Stivell used one of these instruments on-stage. The company has become increasingly unified, and the range of instruments has been progressively recast. A Camac electric harp The electric harp is an instrument based on its acoustic original. Camac teamed up with electric harp virtuoso Deborah Henson-Conant to design the finest electric lever harp and create the ultimate crossover instrument. Camac Harps In a classical harp, the semitones are obtained by means of the seven pedals in the base. Each Camac harp is a unique link in a long chain of savoir-faire, research and passion. Jakez came from a family of Breton traditional musicians, and studied both Celtic and classical harp. Today, our two best-selling lever concert harps are also strung with fluorocarbon. This is an idea taken from Pleyel, and is a principle Camac still follows today. Camac has also developed a ground-breaking llanera harp for Edmar Castaneda, and an electric version of this instrument with Leonard Jacome. I have experienced many different types of harps, but my Camac was the perfect harp for me and my career. Edmar Castaneda playing CAMAC electric pedal harp. It is for companies who have achieved excellence in the fields of craftsmanship and manufacture, and who thereby underpin the economic and cultural identity of France. It attaches to the harp in two places and straps around your shoulder and waist. Unplugged, the harp is an entirely traditional instrument. My. Camac’s “solid-body” harp had neither a sound box nor soundboard, and equipped with a piezoelectric microphone on each string. Some years later, Joël Garnier was unforgiving about his first instruments. “The harps were not ugly, but their reliability left much to be desired. In addition, the fact that at this time 95% of Celtic harps were Japanese was a challenge I wanted to take up.”. Camac Harps The Silhouette is an electric lever harp with a sleek and innovative design, which allows for both stationary and mobile performances. Click on the links to read more about Camac’s history, quality and directives. Gérard therefore suggested to his elder brother Joël that he assist him in taking the commercial hand of the business. The instrument was born from Deborah Henson Conant’s inspired idea, hence its name. Thursday, December 3, 19:30 CET It was particularly unmissable because it was bright blue! Online recital: www.youtube.com/c/CamacHarpsOffi, Under the artistic direction of Ghislaine Petit-Volta and Laurence Bancaud, the, Thanks to the vision of the indefatigable organising committee, 2021’s Glo, Les Jeudis Classiques: Agnė Keblytė (online classical harp recital), 3rd Glowing Harp International Competition – online. The metal core has now been replaced with carbon fibre, lighter and even more stable than metal, clad with wood. 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